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Kannada Movie I Am Singh [BETTER] Full Movie


In early March 2016 she signed Gopichand Malineni's film Winner starring with Sai Dharam Tej for the first time.[40][41] In early July 2016, she signed to AR Murugadoss' bilingual film opposite to Mahesh Babu, titled Spyder.[42][43][44] In September 2016 she signed another Telugu film titled Rarandoi Veduka Chudham directed by Kalyan Krishna starring opposite Naga Chaitanya.[45] The movie was released on 26 May which was a huge blockbuster.[46]




Kannada Movie I Am Singh Full Movie


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Sodari is a 1955 Indian Kannada-language film directed by T. V. Singh Thakur. The film stars Pandari Bai, Narasimha Raju and Rajkumar. The music for the film was composed by Padmanabha Shasthri.The story of the film is based on the life of Hemavati, the pious wife of King Kailasanatha. She faces numerous hardships along with her children when Kailasanatha loses his kingdom due to a drought. The actress Jayashree plays a negative role of Chanchaladevi, a cunning relative of Hemavati. The movie is based on GV Iyer's stage play Anna Thangi [1] which was based on the popular legend of Nalla Thangaal whose story had earlier been adapted in Malayalam in 1950 as Nalla Thanka and later in Tamil as Nalla Thangal (1955).


After having few chances in the Kannada industry she migrated to Tamil movies. Chaya Singh's most famous movie is Thiruda Thirudi in Tamil which has the popular song "Manmadha Raasa".[6] She also acted in its Kannada remake Sakha Sakhi,[7] which unlike the original was not successful.[8] Chaya later acted in little known films Kavithai and Jaisurya[4] and did item numbers in Arul and Thirupaachi,[8] though she stated that she dislikes doing them.[9] She returned to Tamil with Vallamai Tharayo[1] and then starred in the supernatural thriller Anandhapurathu Veedu.[10]


The title, meaning a string of pearls, stands for what Achappa promises his wife; every year he buys a pearl and gives it to her with the hope that one day she can make a necklace of it. She does get her pearl necklace complete only to have it broken at Achappa's funeral. The movie depicts how war affects a soldier's life and his family. The film opens with a scene where Hitler is shown giving a speech. The backdrop is the Second World War in which Achappa the soldier is abroad fighting. When his young son becomes a casualty in another war (in 1947, against invading Pakistan) the mother buries him in the sand dunes while vultures hover overhead. While the soldier and his wife pass by the same spot the mother runs to uncover the corpse but Achappa stops her, hence the father never gets to see his son. The film ends with the funeral of the soldier at the time of the India-China War and his wife becoming insane. Skeletons riding horseback through the darkness are shown at the start and the end of the movie. This is a metaphor for the ravages of war. The movie is not just a family saga but it depicts a larger dimension, it shows the devastating effects of war. Imperialists start the war for their own greed but ultimately it is the people who suffer. Director Rajendra Singh Babu has conveyed a strong message - stop the war.


He acted in 205 movies in lead roles.[44] He owned a production company called Sri Vajreshwari Combines under the banner Dakshayani Combines. Bhagyada Bagilu was his 100th film,[45] Devatha Manushya was his 200th film and Shabdavedhi was his last film.[46]


His historical movies such as Ranadheera Kanteerava, Immadi Pulikeshi, Sri Krishnadevaraya and Mayura presented a populist version of Karnataka's history, focusing on the Karnataka kingdoms such as Mysore royalty, The Chalukyas, The Vijayanagara Empire and The Kadambas respectively[48] - thereby making him the only Indian actor to have portrayed the role of four prominent kings of Indian history - Kanthirava Narasaraja I, Pulakeshin II, Krishnadevaraya and Mayurasharma. He also appeared as Bijjala II in Jagajyothi Basveshwara and as Raja Mallasarja in Kittur Chennamma.


His movies were also noted to include drama sequences where he performs various mythological, historical or literary characters such as Romeo and Babruvahana in Amma (1968), Gautama Buddha in Uyyale (1969), Echchamanayaka in Bhale Jodi (1970) [55] and as Bhima in Havina Hede(1981).


He has acted in around 50 movies based on novels, plays and short stories,[56] which is the highest for any actor in India. He made movies from Kannada novels and made movies against perceived social evils in movies like Jeevana Chaitra (on evils of drinking) and Shabdavedhi (on drug abuse).[57]


Between 1954 to 1969, Kannada film industry produced 207 movies within a span of 15 years and Rajkumar starred in 100 of those.[58] While the early 60s saw him appearing in fantasy genre movies such as Rani Honnamma (1960), Aasha Sundari (1960), Devasundari (1962), Bala Nagamma(1966) and Devara Gedda Manava(1967), he was also noted for doing swashbuckler films such as Vidhivilasa (1962), Veera Kesari (1963), Katari Veera (1966), Madhu Malathi (1966), Simha Swapna (1968), Jaga Mecchida Maga (1972), Bahaddur Gandu (1976) and Huliya Haalina Mevu (1979) at regular intervals in the 1960s and the 1970s.


When Rajkumar appeared as CID 999 in Jedara Bale, he became the first Indian actor to enact a spy role modelled on James Bond in a full-fledged manner [59] and was called the James Bond of India.[60] The success of this movie led to three sequels: Goa Dalli CID 999, Operation Jackpot Nalli C.I.D 999 and Operation Diamond Racket.[61][62][63] The CID 999 Franchise was the first Indian movie franchise to have four installments and CID 999 was the first character based trilogy in India.[64][60][65]


He acted with heroines of southern cinema[66] such as Jayanti (38 films),[67][68] Pandaribai (18 films), Leelavathi (28 films), Bharati (26 films),[69] Kalpana (19 films), Aarathi (13 films), B. Saroja Devi (12 films), Rajasree (10 films), Harini (11 films), Krishna Kumari (8 films), Madhavi (7 films), Manjula (7 films), Jayamala (6 films), Lakshmi (5 films), Geetha (5 films), Saritha (5 films) and Jaya Prada (4 films).[70] Actress Rekha made her debut in a lead role with his movie Operation Jackpot Nalli C.I.D 999.[71] Sri Lankan based actress Sabeetha Perera also made her Indian movie debut with his film Goa Dalli CID 999.[72] Chi. Udaya Shankar has written dialogues and songs for 85 of his movies. G. K. Venkatesh has scored music for over 50 of his movies. He also has the distinction of having worked with more than 75 directors.[73]


His movie Operation Diamond Racket was shot in Nepal and became the first Kannada movie to be shot outside India. His movie Ondu Muttina Kathe was reported to be the first ever Indian film to have an underwater action sequence shot in an ocean[74] outside India[75] without the help of oxygen mask.[76]


Rajkumar's 1971 movie Kasturi Nivasa was colorized and released in 2014. Even close to a decade after his death, the movie garnered a grand opening with the actor's life-size cutout being immersed in milk. The colorized release also performed well at the box office over taking other Kannada movies released at the time.[77] His 35 movies have been remade 58 times in nine languages by 34 actors.[78]


Rajkumar trained in classical music when he was with Gubbi Veeranna's theatre troupe.[79] The track "Om Namaha Shivaya" from the 1956 film Ohileshwara, which he also starred in, was his first song for a film. He subsequently sang "Thumbithu Manava", a duet with S. Janaki, for the movie Mahishasura Mardini (1959). However, he became a full-fledged singer only in 1974 when he sang in place of P. B. Sreenivas for Sampathige Savaal,[80] who had till then sung for most songs picturised on Rajkumar, fell ill. Rajkumar sang the energetic "Yaare Koogadali" for the film which became widely popular during the time and is considered one of his best songs.[81]


During his career, Rajkumar sang and performed for songs about Kannadigas, the Kannada language and culture, such as "Jenina Holeyo" from Chalisuva Modagalu, "Maanavanagi Huttidmele" from Jeevana Chaitra and "Huttidare Kannada" from the film Aakasmika. He sang a complete English song called "If You Come Today" ("Tick Tick Tick") in the movie Operation Diamond Racket in 1978. This song became an internet meme in India following Rajkumar's demise in 2006.[65]


He was also praised for his ability to integrate the virtues of an actor with the power of a superstar without letting one erase the other by acting as a gulf between the mainstream popular movies and the artistic cinemas.[112] It was also noted that it was his subtle acting prowess, spontaneous style and his flair to give the reel characters a real credibility which singled him out to the top and helped him to never be out of the running by withstanding the onslaught of time, age and the ever changing demands of celluloid world.[113]


Rajkumar made movies against perceived social evils throughout his career. His debut movie Bedara Kannappa (1954) spoke about social discrimination.[121] The 1957 movie Rayara Sose speaks against the evil practice of dowry.[122] The 1958 movie Shree Krishna Gaarudi, which narrates the bickering and squabbling among the Pandavas for portfolios, allegorizes the politics in the then newly formed Mysore state.[123][124]


The 1962 movie Bhoodana was based Vinoba Bhave's Bhoodan movement and speaks about the religious conversion of the marginalized.[125] The 1964 movie Naandi was acclaimed for capturing the real-time plights of those with hearing impairments.[126] The 1967 movie Bangarada Hoovu spoke about misconceptions about leprosy[127] - especially the notion that leprosy is a consequence of one's past sins.[128] The 1968 movie Hannele Chiguridaga deals with the empowerment of women in education and widow marriage.[129] The 1968 movie Mannina Maga depicted the difficulty of sustaining community life in a city resulting in turn away from it in favour of a village.[130] The 1969 movie Uyyale presents a delicate tale of the extra-marital love of a woman neglected by her husband [131] reflecting the social and moral laws of married life.[132] The 1969 movie Mayor Muthanna had a sub-plot of salvaging of the sub-standard grain and black marketing.[133] 350c69d7ab


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